{"id":14419,"date":"2026-10-12T15:36:44","date_gmt":"2026-10-12T13:36:44","guid":{"rendered":"https:\/\/david-al.com\/?page_id=14419"},"modified":"2026-10-17T15:52:03","modified_gmt":"2026-10-17T13:52:03","slug":"carte-2-saumon","status":"publish","type":"page","link":"https:\/\/david-al.com\/en\/cartes\/carte-2-saumon\/","title":{"rendered":"Carte 2 \u2013 Salmon"},"content":{"rendered":"
\"CARTE<\/a><\/div><\/figure><\/div><\/div><\/div>

CARTE 2 \u2014 SALMON <\/span><\/h1>\n

(From November 16 to December 22, 2019)<\/span>
Cartes Series. Daily pictorial protocol.<\/em><\/span>
36 fragments \u2014 Acrylic and mixed media on canvas (29 x 29 cm).<\/span>
Comprehensive installation documented on-site at the studio.<\/em><\/span><\/p>\n

 <\/p>\n

THE PROTOCOL<\/span>
1 \u2013 A unique format: 29x29cm<\/span>
2 \u2013 One painting per day,<\/span>
3 \u2013 A single color to be poured (Salmon),<\/span>
4 \u2013 The obligation to name the artwork at the end of the day in a foreign language.<\/span><\/p>\n

 <\/p><\/div><\/div><\/div><\/div><\/div><\/div>

SECOND CYCLE : THE BODY <\/span><\/h2>\n

The background color shifts toward a carnal tone, establishing a direct relationship with the body. In the isolation of the studio, the purity of the initial automatism collides with forming figures. The shapes grow heavier, become anatomized, and life surges upon the square\u2019s surface. The reconciliation occurs in a hand-to-hand combat between the geometric order of the device and the chaos of inner forms, where the chemical rejection of lean over fat freezes the mutation of the figures.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

Contact the studio<\/span> regarding this installation<\/a><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

\"CARTE<\/a>
<\/div><\/div>
\"CARTE<\/div><\/div><\/section>
\"\"<\/a>
<\/div><\/div>
\"\"<\/div><\/div><\/section><\/div><\/div><\/div><\/div>
\"CARTE<\/a><\/div>
\"CARTE<\/div>

<\/h2><\/div><\/div><\/section>
The discharge of the margins - La lib\u00e9ration des marges<\/em>\" class=\"lightbox-item grid-item-mask-link\" href=\"https:\/\/david-al.com\/wp-content\/uploads\/2026\/10\/12340-the-discharge-of-the-margins2.jpg\" data-size=\"1000x1000\">\"CARTE<\/a><\/div>
\"CARTE<\/div>

MAP 2 - Fragment 12340
\nThe discharge of the margins - La lib\u00e9ration des marges<\/em><\/h2><\/div><\/div><\/section>
Plastic lover - Amateur de plastique<\/em>\" class=\"lightbox-item grid-item-mask-link\" href=\"https:\/\/david-al.com\/wp-content\/uploads\/2026\/10\/12320-plastic-lover3.jpg\" data-size=\"1000x1000\">\"CARTE<\/a><\/div>
\"CARTE<\/div>

MAP 2 - Fragment 12320
\nPlastic lover - Amateur de plastique<\/em><\/h2><\/div><\/div><\/section>
Boarding - Embarquement\" class=\"lightbox-item grid-item-mask-link\" href=\"https:\/\/david-al.com\/wp-content\/uploads\/2026\/10\/carte-2-detail-3b.jpg\" data-size=\"2560x2560\">\"CARTE<\/a><\/div>
\"CARTE<\/div>

CARTE 2 - Fragment 12307
Boarding - Embarquement<\/h2><\/div><\/div><\/section>
Half fish - Demi poisson\" class=\"lightbox-item grid-item-mask-link\" href=\"https:\/\/david-al.com\/wp-content\/uploads\/2026\/10\/carte-2-detail-2.jpg\" data-size=\"2560x2560\">\"CARTE<\/a><\/div>
\"CARTE<\/div>

CARTE 2 - Fragment 12308
Half fish - Demi poisson<\/h2><\/div><\/div><\/section><\/div><\/div><\/div><\/div>

CONTINUATION OF THE PROTOCOL<\/span> : CARTE 3 \u2014 GREEN (2020) \u2192<\/a><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Carte 2 \u2014 Saumon \u2014 \u00ab Le corps \u00bb \u2014 David AL<\/p>","protected":false},"author":3,"featured_media":13663,"parent":13425,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_titles_title":"Carte 2 \u2014 Saumon \u2014 \u00ab Le corps \u00bb \u2014 David AL","_seopress_titles_desc":"Deuxi\u00e8me cycle : le corps. Une tonalit\u00e9 charnelle o\u00f9 le geste acad\u00e9mique se heurte aux figures, figeant la mutation par le rejet du maigre sur le gras.","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"yes","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"https:\/\/david-al.com\/cartes\/carte-2-saumon\/","_seopress_social_fb_title":"Carte 2 \u2014 Saumon \u2014 \u00ab Le corps \u00bb \u2014 David AL","_seopress_social_fb_desc":"Deuxi\u00e8me cycle : le corps. Une tonalit\u00e9 charnelle o\u00f9 le geste acad\u00e9mique se heurte aux figures, figeant la mutation par le rejet du maigre sur le gras.","_seopress_social_fb_img":"https:\/\/david-al.com\/wp-content\/uploads\/2026\/10\/carte-2-detail-1-b.jpg","_seopress_social_fb_img_attachment_id":13655,"_seopress_social_fb_img_width":2560,"_seopress_social_fb_img_height":1773,"_seopress_social_twitter_title":"David AL - Artiste peintre contemporain","_seopress_social_twitter_desc":"David AL \u2014 L\u2019h\u00e9ritage de la mati\u00e8re : un art en chantier. D\u00e9couvrez les protocoles cliniques (Cartes, Respirations, Sp\u00e9cimens) et le carnet de pr\u00e9l\u00e8vements du peintre contemporain David AL.","_seopress_social_twitter_img":"https:\/\/david-al.com\/wp-content\/uploads\/2026\/10\/carte-2-detail-1-b.jpg","_seopress_social_twitter_img_attachment_id":13655,"_seopress_social_twitter_img_width":2560,"_seopress_social_twitter_img_height":1773,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"Saumon,Carte2","footnotes":""},"class_list":["post-14419","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/pages\/14419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/comments?post=14419"}],"version-history":[{"count":4,"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/pages\/14419\/revisions"}],"predecessor-version":[{"id":14682,"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/pages\/14419\/revisions\/14682"}],"up":[{"embeddable":true,"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/pages\/13425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/media\/13663"}],"wp:attachment":[{"href":"https:\/\/david-al.com\/en\/wp-json\/wp\/v2\/media?parent=14419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}